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Cupcakes, Pinterest, and Ladyporn: Feminized Popular Culture in the Early Twenty-First Century (Feminist Media Studies)

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Elana Levine brings together writings from feminist critics that chart the current terrain of feminized pop cultural production. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins.

Most purchases from business sellers are protected by the Consumer Contract Regulations 2013 which give you the right to cancel the purchase within 14 days after the day you receive the item. This will be the definitive volume on 'post-feminist' popular cultural productions for some time to come. She is the author of Wallowing in Sex: The New Sexual Culture of 1970s American Television and co-author of Legitimating Television: Media Convergence and Cultural Status . Winner of an Audience Award for midnight films at SXSW Film 2001, Ladyporn follows the journey of two female students trying to produce a porno for women. This is one of the issues with which Cupcakes, Pinterest and Ladyporn engages, set out in Elana Levine’s comprehensive introduction.These are just a few of the perspectives women are sharing on their relationship with porn, thanks to the first annual Ladyporn Day. Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. Her undergraduate degree in English and Telecommunications is from Indiana University and her graduate degrees in Media and Cultural Studies are from the University of Wisconsin-Madison. Elana Levine is Professor of Media, Cinema, and Digital Studies in the Department of English at the University of Wisconsin-Milwaukee.

While I want to totally empower women who already like porn or want to find porn they like, I don't want to erase the voices of women who don't like it.Cupcakes, Pinterest, and Ladyporn: Feminized Popular Culture in the Early Twenty-First Century ( Champaign, IL, 2015; online edn, Illinois Scholarship Online , 20 Apr. As these platforms thrive in relation to the increased visibility of non-white representation, previously invisible and marginalized voices are emerging to speak passionately about specific cultural experiences. She is the author of Wallowing in Sex: The New Sexual Culture of 1970s American Television and co-author of Legitimating Television: Media Convergence and Cultural Status.

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